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NATIONAL YOUTH ORCHESTRA
OF CANADA

65TH ANNIVERSARY TOUR

JULY 30, 2025 | 7:30 PM

PRE-CONCERT TALK: 6:30 PM

 

SINGLE TICKETS ON SALE JUNE 9

What to wear? Be comfortable. Dress in a way that works for you. If you feel like dressing up, do it and you won’t be the only one, we promise. If you prefer to be more casual you will fit right in as well.

Beverages served prior to concert and during intermission. You can pre-order your beverage before the concert.


Mobile phones are allowed to be on but must be set to silent.


We welcome you to clap when you like what you hear.

MUSIC DIRECTOR:  Naomi Woo

PROGRAMME

C. DEBUSSY: La Mer

S.  PROKOFIEV: Violin Concerto No. 2 op. 63, G minor

G. MAHLER: Symphony No. 5, C-sharp minor

NATIONAL YOUTH ORCHESTRA OF CANADA

65TH ANNIVERSARY TOUR

JULY 30, 2025 | 7:30 PM

PRE-CONCERT TALK: 6:30 PM

 

SINGLE TICKETS ON SALE JUNE 9

MUSIC DIRECTOR:  Naomi Woo

PROGRAMME

C. DEBUSSY: La Mer

S.  PROKOFIEV: Violin Concerto No. 2 op. 63, G minor

G. MAHLER: Symphony No. 5, C-sharp minor

What to wear? Be comfortable. Dress in a way that works for you. If you feel like dressing up, do it and you won’t be the only one, we promise. If you prefer to be more casual you will fit right in as well.

Beverages served prior to concert and during intermission. You can pre-order your beverage before the concert.


Mobile phones are allowed to be on but must be set to silent.


We welcome you to clap when you like what you hear.

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Help us send every Grade 4 student to a VIS concert designed specifically for them.
The VIS Music Education program builds music appreciation and participation in
over 2,500 nine and  ten year old children each year.
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Naomi Woo
conductor

Canadian conductor & pianist Naomi Woo is a widely sought-after symphonic and operatic conductor and educator and the Music Director of NYO Canada. She also holds positions as Artistic Partner of Orchestre Métropolitain Montréal and Assistant Conductor of the Philadelphia Orchestra.
In the 24/25 season, Naomi makes debuts with the Philharmonia Orchestra (London), the Philadelphia Orchestra, Edmonton Symphony, Luxembourg Chamber Orchestra, and the Royal Conservatory Orchestra in Toronto. Return engagements include the Toronto Symphony, Calgary Philharmonic, Vancouver Symphony, and the Orchestre Métropolitain.
Highlights of her auspicious 23-24 season included her first tour and recordings with NYO Canada in summer 2024; conducting engagements with the Orchestre Métropolitain, Orchestre Symphonique de Montréal, Toronto Symphony, Vancouver Symphony, National Arts Center Orchestra, and Chautauqua Symphony; and leading opera productions with English Touring Opera and Opera Holland Park in the UK.
Engagements in previous seasons include the National Arts Centre Orchestra, Calgary Philharmonic, Ann Arbor Symphony, Orchestra NOW (New York), Kitchener-Waterloo Symphony, and Regina Symphony, and her debut at LSO St. Luke’s in London with the ensemble Tangram Sound. Naomi was the assistant conductor of the Winnipeg Symphony from 2019 to 2023 and appeared with the orchestra on multiple occasions. On the opera stage, she has conducted the Canadian premiere of Du Yun’s Pulitzer Prize-winning Angel’s Bone in Vancouver and the world premiere of Ellis Ludwig-Leone’s The Night Falls in New York City. In fall 2022, she assisted the world premiere of Oliver Leith’s opera Last Days at Royal Opera House Covent Garden and returned to assist Thomas Adès with the same work in its US premiere with the Los Angeles Philharmonic.
The 2022 winner of the Canada Council’s prestigious Virginia Parker Prize, Naomi is a member of Tapestry Opera’s Women in Musical Leadership program and was chosen by her mentor Yannick Nézet-Séguin as a member of the Orchestre Métropolitain’s inaugural orchestral conducting academy.
Naomi holds a PhD from the University of Cambridge, where she was a Gates Cambridge Scholar. She has also studied mathematics, philosophy, and music at Yale College, the Yale School of Music, and Université de Montréal.

(Achille) Claude Debussy (22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries.

Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at the age of ten to France’s leading music college, the Conservatoire de Paris. He originally studied the piano, but found his vocation in innovative composition, despite the disapproval of the Conservatoire’s conservative professors. He took many years to develop his mature style, and was nearly 40 when he achieved international fame in 1902 with the only opera he completed, Pelléas et Mélisande.

Debussy’s orchestral works include Prélude à l’après-midi d’un faune (1894), Nocturnes (1897–1899) and Images (1905–1912). His music was to a considerable extent a reaction against Wagner and the German musical tradition. He regarded the classical symphony as obsolete and sought an alternative in his “symphonic sketches”, La mer (1903–1905). His piano works include two books of Préludes and one of Études. Throughout his career he wrote mélodies based on a wide variety of poetry, including his own. He was greatly influenced by the Symbolist poetic movement of the later 19th century. A small number of works, including the early La Damoiselle élue and the late Le Martyre de saint Sébastien have important parts for chorus. In his final years, he focused on chamber music, completing three of six planned sonatas for different combinations of instruments.

With early influences including Russian and Far Eastern music, Debussy developed his own style of harmony and orchestral colouring, derided – and unsuccessfully resisted – by much of the musical establishment of the day. His works have strongly influenced a wide range of composers including Béla Bartók, Olivier Messiaen, George Benjamin, and the jazz pianist and composer Bill Evans. Debussy died from cancer at his home in Paris at the age of 55 after a composing career of a little more than 30 years.

 

Read more on Wikipedia.org…

 

Sergei Sergeyevich Prokofiev (27 April [O.S. 15 April] 1891 – 5 March 1953) was a Russian Soviet composer, pianist and conductor. As the creator of acknowledged masterpieces across numerous musical genres, he is regarded as one of the major composers of the 20th century. His works include such widely heard pieces as the March from The Love for Three Oranges, the suite Lieutenant Kijé, the ballet Romeo and Juliet — from which “Dance of the Knights” is taken — and Peter and the Wolf. Of the established forms and genres in which he worked, he created – excluding juvenilia – seven completed operas, seven symphonies, eight ballets, five piano concertos, two violin concertos, a cello concerto, a symphony-concerto for cello and orchestra, and nine completed piano sonatas.

A graduate of the St Petersburg Conservatory, Prokofiev initially made his name as an iconoclastic composer-pianist, achieving notoriety with a series of ferociously dissonant and virtuosic works for his instrument, including his first two piano concertos. In 1915, Prokofiev made a decisive break from the standard composer-pianist category with his orchestral Scythian Suite, compiled from music originally composed for a ballet commissioned by Sergei Diaghilev of the Ballets Russes. Diaghilev commissioned three further ballets from Prokofiev—Chout, Le pas d’acier and The Prodigal Son—which at the time of their original production all caused a sensation among both critics and colleagues. Prokofiev’s greatest interest, however, was opera, and he composed several works in that genre, including The Gambler and The Fiery Angel.

 

Read more on Wikipedia.org…

Gustav Mahler

Gustav Mahler (7 July 1860 – 18 May 1911) was an Austro-Bohemian late-Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect which included a ban on its performance in much of Europe during the Nazi era. After 1945 his compositions were rediscovered by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century. In 2016, a BBC Music Magazine survey of 151 conductors ranked three of his symphonies in the top ten symphonies of all time.

Born in Bohemia (then part of the Austrian Empire) to Jewish parents of humble circumstances, the German-speaking Mahler displayed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising importance in the opera houses of Europe, culminating in his appointment in 1897 as director of the Vienna Court Opera (Hofoper). During his ten years in Vienna, Mahler—who had converted to Catholicism to secure the post—experienced regular opposition and hostility from the anti-Semitic press. Nevertheless, his innovative productions and insistence on the highest performance standards ensured his reputation as one of the greatest of opera conductors, particularly as an interpreter of the stage works of Wagner, Mozart, and Tchaikovsky. Late in his life he was briefly director of New York’s Metropolitan Opera and the New York Philharmonic.

 

Read more on Wikipedia.org…

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National Youth Orchestra of Canada

Since 1960, the National Youth Orchestra of Canada (NYO Canada) has played a vital role in shaping the future of classical music in Canada. It was founded as a bridge between education and the professional stage—a place where Canada’s most promising young musicians could grow, perform, and launch careers at the highest level. What began as a two-week summer tour has grown into the country’s most comprehensive pre professional orchestral training program. NYO Canada offers full scholarships to musicians aged 16 to 28, delivering a transformative, tuition-free experience that encompasses the Orchestral Training Institute, NYO Canada Chamber Music Concert Series, masterclasses, wellness and career-building workshops, and a concert tour. Every orchestra member also receives a personal honorarium, made possible by the generosity of our supporters. Guided by our esteemed faculty—renowned performers and educators from around the world— participants engage in immersive experiences that mirror the life of a professional musician, from intensive rehearsals and recording sessions to performances in Canada’s most prestigious concert halls. Today, NYO Canada continues to be the launchpad for the next generation of orchestral excellence. Nearly one in three professional orchestral musicians in Canada is an NYO alum. With the steadfast support of the Government of Canada, our partners, funders, and passionate community of donors, NYO Canada remains a powerful force in Canada’s cultural landscape.