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SATURDAY, MARCH 8, 2025
7:30 pm | Port TheatrePRE-CONCERT TALKS: 6:30 PM

With a great response from last season Maestra Justo Valdés brings back Favourite Composers. In Episode 2 the orchestra plays Mozart, Haydn and Ravel. VIS member Mark D'Angelo performs Vivian Fung’s Trumpet Concerto, a virtuosic tour-de-force displaying the capabilities of the Eb Trumpet and Flugelhorn.

CONDUCTOR: Cosette Justo Valdés

GUEST ARTISTS: Mark D'Angelo Trumpet

PROGRAMME

MOZART   Le Nozze di Figaro

RAVEL   Le Tombeau de Couperin

Vivien FUNG  Concerto for Trumpet

J. HAYDN   Symphony No. 88 in G Major

Mark D'Angelo Trumpet

PERFORMANCE SPONSOR

Manning Law logo

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PRE-CONCERT TALK: 6:30 PM
CONCERT: 7:30 PM

What to wear? Be comfortable. Dress in a way that works for you. If you feel like dressing up, do it and you won’t be the only one, we promise. If you prefer to be more casual you will fit right in as well.

Beverages served prior to concert and during intermission. You can pre-order your beverage before the concert.


Mobile phones are allowed to be on but must be set to silent.


We welcome you to clap when you like what you hear.

VIS Orchestra

BUY TICKETS

PRE-CONCERT TALK: 6:30 PM
CONCERT: 7:30 PM

With a great response from last season Maestra Justo Valdés brings back Favourite Composers. In Episode 2 the orchestra plays Mozart, Haydn and Ravel. VIS member Mark D'Angelo performs Vivian Fung’s Trumpet Concerto, a virtuosic tour-de-force displaying the capabilities of the Eb Trumpet and Flugelhorn.

CONDUCTOR:
Cosette Justo Valdés

GUEST ARTISTS:
 Mark D'Angelo Trumpet

PROGRAMME

MOZART
Le Nozze di Figaro

RAVEL
Le Tombeau de Couperin

Vivien FUNG
Concerto for Trumpet

J. HAYDN
Symphony No. 88 in G Major

Mark D'Angelo Trumpet

PERFORMANCE SPONSOR

Manning Law logo

A Few Fun Details...
What to Wear?
Be comfortable. Dress in a way that works for you. If you feel like dressing up, do it and you won’t be the only one, we promise. If you prefer to be more casual you will fit right in as well.
Beverages?
Beverages served prior to concert and during intermission. You can pre-order your beverage before the concert.
Mobile Phones?


Mobile phones are allowed to be on but must be set to silent.

Applause?


We welcome you to clap when you like what you hear.

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Mark D'Angelo
Principal Trumpet

 

Mark D’Angelo, a native of North Vancouver, holds a Master of Music Degree from the University of McGill in Montreal.  Mark is currently Principal Trumpet with the Kamloops Symphony, and Second Trumpet with the Vancouver Island Symphony.  He has also performed with the Vancouver Symphony Orchestra, Vancouver New Music, Victoria Symphony, Turning Point Ensemble, CBC Radio Orchestra, Thunder Bay Symphony, and the American Brass Quintet as an Aspen Music Festival Fellowship recipient. Mark has performed with Ben Hepner, Grammy winner Lila Downs, Lara St. John, and Tony Award winner Idena Menzel.  In 2017 Mark performed the British Columbia premiere of John Estacio’s Concerto for Trumpet with the Kamloops Symphony.  Mark currently holds the position of director of instrumental ensembles at Douglas College, trumpet instructor at Capilano University, Trinity Western University, and is a Stomvi Performing Artist.

Wolfgang Amadeus Mozart
composer

Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the classical era.

Born in Salzburg, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, Mozart was engaged as a musician at the Salzburg court but grew restless and traveled in search of a better position. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his early death at the age of 35. The circumstances of his death have been much mythologized.

He composed more than 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, operatic, and choral music. He is among the most enduringly popular of classical composers, and his influence is profound on subsequent Western art music. Ludwig van Beethoven composed his own early works in the shadow of Mozart, and Joseph Haydn wrote: “posterity will not see such a talent again in 100 years”.

 

Read more on Wikipedia.org…

Le Nozze di Figaro
opera composed by Wolfgang Amadeus Mozart

The Marriage of Figaro (Italian: Le nozze di Figaro, pronounced [le ˈnɔttse di ˈfiːɡaro] ⓘ), K. 492, is a commedia per musica (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera’s libretto is based on the 1784 stage comedy by Pierre Beaumarchais, La folle journée, ou le Mariage de Figaro (“The Mad Day, or The Marriage of Figaro”). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity.

Considered one of the greatest operas ever written,[1] it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas.[2] In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. The Marriage of Figaro came in first out of the 20 operas featured, with the magazine describing the work as being “one of the supreme masterpieces of operatic comedy, whose rich sense of humanity shines out of Mozart’s miraculous score”.[3]

Read more at Wikipedia.org

Maurice Ravel
French composer

Joseph Maurice Ravel[n 1] (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France’s greatest living composer.

Born to a music-loving family, Ravel attended France’s premier music college, the Paris Conservatoire; he was not well regarded by its conservative establishment, whose biased treatment of him caused a scandal. After leaving the conservatoire, Ravel found his own way as a composer, developing a style of great clarity and incorporating elements of modernism, baroque, neoclassicism and, in his later works, jazz. He liked to experiment with musical form, as in his best-known work, Boléro (1928), in which repetition takes the place of development. Renowned for his abilities in orchestration, Ravel made some orchestral arrangements of other composers’ piano music, of which his 1922 version of Mussorgsky‘s Pictures at an Exhibition is the best known.

A slow and painstaking worker, Ravel composed fewer pieces than many of his contemporaries. Among his works to enter the repertoire are pieces for piano, chamber music, two piano concertos, ballet music, two operas and eight song cycles; he wrote no symphonies or church music. Many of his works exist in two versions: first, a piano score and later an orchestration. Some of his piano music, such as Gaspard de la nuit (1908), is exceptionally difficult to play, and his complex orchestral works such as Daphnis et Chloé (1912) require skilful balance in performance.

Ravel was among the first composers to recognise the potential of recording to bring their music to a wider public. From the 1920s, despite limited technique as a pianist or conductor, he took part in recordings of several of his works; others were made under his supervision.

 

Read more at Wikipedia.org

Le Tombeau de Couperin
composed by Maurice Ravel

Le Tombeau de Couperin (The Grave of Couperin) is a suite for solo piano by Maurice Ravel, composed between 1914 and 1917. The piece is in six movements, based on those of a traditional Baroque suite. Each movement is dedicated to the memory of a friend of the composer (or in one case, two brothers) who had died fighting in World War I. Ravel also produced an orchestral version of the work in 1919, although this omitted two of the original movements.

Read more at Wikipedia.org

Vivian Fung
Canadian composer

Vivian Fung is a Canadian born composer. She composes music to be performed by orchestras, operas, quartets, and pianists. Her compositions have been performed internationally.

Fung’s compositions blend Western musical forms with musical ideas from many cultures, including Balinese, Javanese gamelan, and folk songs from minority regions of China. Her personal heritage has played a strong role in her music.

Fung has received a number of awards and grants: the 2012 Simon Guggenheim Foundation Fellowship, New York Foundation for the Arts’ Gregory Millard Fellowship, ASCAP, BMI, American Music Center, MAP Fund, Music Alive!, and the League of American Orchestras, American Composers’ Forum, and the Canada Council for the Arts. Vivian has been composer-in-residence of the Delaware Chamber Music Festival, Music in the Loft chamber music series in Chicago, the San José Chamber Orchestra, and the Billings Symphony. Vivian Fung also completed residencies at the MacDowell, Yaddo, and Banff arts colonies, as well as residencies at the Atlantic Center for the Arts. She is also an associate composer of the Canadian Music Centre.

 

Read more on Wikipedia.org…

Franz Joseph Haydn
Austrian composer

Franz Joseph Haydn (31 March 1732 – 31 May 1809) was an Austrian composer of the Classical period. He was instrumental in the development of chamber music such as the piano trio. His contributions to musical form have earned him the epithets “Father of the Symphony” and “Father of the String Quartet“.

Haydn spent much of his career as a court musician for the wealthy Esterházy family at their remote estate. Until the later part of his life, this isolated him from other composers and trends in music so that he was, as he put it, “forced to become original”.[c] Yet his music circulated widely, and for much of his career he was the most celebrated composer in Europe.

He was a friend and mentor of Mozart, a tutor of Beethoven, and the older brother of composer Michael Haydn.

 

Read more on Wikipedia.org…

Symphony No. 88 in G major
composed by Joseph Haydn

Symphony No. 88 in G major (Hoboken I/88) was written by Joseph Haydn, for the orchestra of Esterháza under the benevolent Prince Nikolaus Esterhazy. It is notably the first of his symphonies written after the completion of the six Paris symphonies in 1786.

The symphony was completed in 1787, just like his 89th symphony. It is one of Haydn’s best-known works, even though it is not one of the Paris or London symphonies and does not have a descriptive nickname. It is sometimes referred to as The Letter V referring to an older method of cataloging Haydn’s symphonic output.

Read more at Wikipedia.org