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Saturday, April 27, 2024 | 7:30 pm | Port Theatre

Our last concert continues the conversation that began with our opening concert. Music that embodies the power of versatility to survive and the strength we must find within us to inspire others. The power of femininity is honoured in our first half and that strength and resilience is echoed in the brooding triumph of Brahms' own final orchestral masterpiece: his 4th Symphony.

CONDUCTOR: Cosette Justo Valdés

PROGRAMME

Missy MAZZOLI:  Sinfonia (for Orbiting Spheres)

Kelly-Marie MURPHY:  Black Sand

Jocelyn MORLOCK:  Solace

Anna CLYNE:  Restless Oceans

BRAHMS:   Symphony No. 4 in E minor, Op. 98

PERFORMANCE SPONSOR

PERFORMANCE SPONSOR

PURCHASE TICKETS

PRE-CONCERT TALK: 6:30 PM
CONCERT: 7:30 PM

Join us for our free pre-concert talks. One hour prior to the concert in the theatre lobby.

What to wear? Be comfortable. Dress in a way that works for you. If you feel like dressing up, do it and you won’t be the only one, we promise. If you prefer to be more casual you will fit right in as well.

Beverages served prior to concert and during intermission. You can pre-order your beverage before the concert.


Mobile phones are allowed to be on but must be set to silent.


We weclome you to clap when you like what you hear.

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Help transform young lives through the power of music

Your donation can be the catalyst for transforming lives through the power of music.
Help us send every Grade 4 student to a VIS concert designed specifically for them.
The VIS Music Education program builds music appreciation and participation in
over 2,500 nine and  ten year old children each year.
Let’s welcome the symphony audiences of the future together!

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Johannes Brahms
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Johannes Brahms (7 May 1833 – 3 April 1897) was a German composer, pianist, and conductor of the Romantic period. Born in Hamburg into a Lutheran family, he spent much of his professional life in Vienna. His reputation and status as a composer are such that he is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the “Three Bs” of music, a comment originally made by the nineteenth-century conductor Hans von Bülow.

Brahms composed for symphony orchestra, chamber ensembles, piano, organ, and voice and chorus. A virtuoso pianist, he premiered many of his own works. He worked with some of the leading performers of his time, including the pianist Clara Schumann and the violinist Joseph Joachim (the three were close friends). Many of his works have become staples of the modern concert repertoire. An uncompromising perfectionist, Brahms destroyed some of his works and left others unpublished.

Brahms has been considered, by his contemporaries and by later writers, as both a traditionalist and an innovator. His music is firmly rooted in the structures and compositional techniques of the Classical masters. While many contemporaries found his music too academic, his contribution and craftsmanship have been admired by subsequent figures as diverse as Arnold Schoenberg and Edward Elgar. The diligent, highly constructed nature of Brahms’s works was a starting point and an inspiration for a generation of composers. Embedded within his meticulous structures, however, are deeply romantic motifs.

Johannes Brahms

Johannes Brahms (7 May 1833 – 3 April 1897) was a German composer, pianist, and conductor of the Romantic period. Born in Hamburg into a Lutheran family, he spent much of his professional life in Vienna. His reputation and status as a composer are such that he is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the “Three Bs” of music, a comment originally made by the nineteenth-century conductor Hans von Bülow.

Brahms composed for symphony orchestra, chamber ensembles, piano, organ, and voice and chorus. A virtuoso pianist, he premiered many of his own works. He worked with some of the leading performers of his time, including the pianist Clara Schumann and the violinist Joseph Joachim (the three were close friends). Many of his works have become staples of the modern concert repertoire. An uncompromising perfectionist, Brahms destroyed some of his works and left others unpublished.

Brahms has been considered, by his contemporaries and by later writers, as both a traditionalist and an innovator. His music is firmly rooted in the structures and compositional techniques of the Classical masters. While many contemporaries found his music too academic, his contribution and craftsmanship have been admired by subsequent figures as diverse as Arnold Schoenberg and Edward Elgar. The diligent, highly constructed nature of Brahms’s works was a starting point and an inspiration for a generation of composers. Embedded within his meticulous structures, however, are deeply romantic motifs.